The whole situation with this band using my lyrics without permission, brought up some old stuff with what i consider a miss-use of rights. So I wrote this letter to EU, yet again i figure that i will get an email from the EU saying, thank-you for your email, we appreciate this information. Yet at this point we don’t see any need to investigate OSA. Yet i still reckon its worth the effort to make a complaint. This organizations need regulators working in their offices full time. They make the law up as they go.
If you want to complain about issues that relate to business and how its not really possible to do business, because of organizations like OSA, you can mail comp-greffe-antitrust@ec.europa.eu
Hi EU,
I would like to make a complaint about OSA’s anti competitive behavour and its effect on my situation, and the general situation of film production in Europe.
I’ll try to make this story short… its not easy.
I had a song in a major film in the US, i joined OSA to collect for my mechanical rights. I was assured by OSA that they would collect these revenues, yet OSA was not able to do so. They said that because the contract created for the film use was a contradiction, that it was not possible.
I’ve come to terms with not being able to collect this large sum of money, and move forward. Yet before i do I want both public and people that regulate monopolistic organizations like Gemma, OSA, and Sesam to understand the effects on culture of the system as it is.
If any company in the Czech republic (or any European country) would want to have content pressed to DVD, or any other EU country, they have to pay OSA or their affilaites, for use of their members content. Yet Fox film’s (or Bonton Films, thier sub distributor here) is able to get away with pressing content onto DVD within the Czech republic, without paying authors for pressing this content.
This puts the European film business at a big disadvantage to the US film industry. Ensures also that when content is used within film, that that content has most likely been published before, as what advantage does the film production company in Europe have to source any new content. US films are continually using new songs in their films. This effects all aspects of TV and Film culture here in Europe. Almost all culture of independent film i know of here in Europe seems dependent on the state.
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